ELISABETH GUNAWAN

b. 1993 Jakarta, Indonesia
Education
New York University. BA Postcolonial Discourse. 2011-14.
Royal Academy of Dramatic Art. MA Theatre Lab. 2019-20.
Goldsmiths, University of London. MPhil/PhD (ongoing)
& The International School of the Hard Knocks™

Elisabeth Gunawan 吳金蘭 is a multi-award-winning performer and writer of plays, novels, and films. The thread across all her work is the desire to uplift voices and perspectives that have been silenced or marginalised, and to alleviate suffering through witnessing.

Raised in Indonesia to an ethnically Chinese family, her only acting experience growing up was the durational performance of her life. Trained at RADA’s Theatre Lab, she subsequently formed KISS WITNESS. KISS WITNESS productions include the bouffon performance Unforgettable Girl (The Pleasance, 2021-2023), the immersive headphone piece Stampin’ in the Graveyard (Summerhall, 2021-2025), and the ensemble piece Prayers for a Hungry Ghost (Barbican, 2022-2025).

These works have received critical acclaim, winning multiple awards, including The Stage Debut Award for Best Performer in a Play (2022), the Intercultural Connections Pioneer Award (2025), the Charlie Hartill Award (2023), Keep It Fringe (2023 & 2025), the OFFFest Award at VOILA! Festival (2022), and Best Writing from Theatre Weekly (2023).

Her theatrical work has been supported by the Berliner Festspiele (International Forum Fellow 2026), Barbican Centre, Battersea Arts Centre, New Diorama, ArtsAdmin, and the Grotowski Institute. As an actor and deviser, Elisabeth has performed at the Bristol Old Vic, Southbank Centre, and Soho Theatre. As a cabaret artist, she performs as Glo Tesque and was a finalist in the 2024 heat of Burlesque Idol. Her extensive performance work serves as the foundation for her practice-based PhD at Goldsmiths.

Currently, she is developing her first novel, Hour of the Dog, which was shortlisted for the Exeter Novel Prize and selected for the HarperCollins Author Academy. She is also developing a feature film adaptation of Prayers for a Hungry Ghost, with support from the BFI and MilkTea Films.

Represented by Carey Dodd Associates
samantha@careydoddassociates.com
SPOTLIGHT: 9653-7866-8532

All paintings by Caroline Wong. Clockwise from left:
BETTY (2022), MARIGOLD ORANGE (BETTY) (2022), BETTY (2021)
http://www.carolinewongart.com


Right: Photo by Olivia Spencer

“Elisabeth Gunawan captivates… Her ability to shepherd the audience is matched only in the delicious way she leaves them stranded.”

“The power of her performance almost defies belief, it feels as though a single blink might cause chaos in the room.”

“Gunawan is an otherworldly performer.”